RSS Feed

Category Archives: batwoman

Marry Me, Batwoman

Major spoilers after the lady kisses.

Not exactly the face I would make in Maggie’s position.

I don’t know how to express how beautiful Batwoman #17 is. This issue wraps up quite a long story in which Batwoman has been struggling with her role as a hero and as a girlfriend, trying to find a balance. And, as you can see above, she decides that the way to do that is to put both elements of her life together. Such a strong, confident lady, Batwoman is so sure of her decision to “out” herself to Detective Maggie Sawyer after bringing a perfect engagement gift of the missing children that the Gotham City policewoman has been searching for nearly their entire relationship.

Co-starring Wonder Woman and featuring the triumphant return of Bette Kane, now calling herself Hawkfire, Batwoman #17 settles this major arc in every way. It’s energizing in it’s victories and heartbreaking in its tragedies, specifically poor Abbot’s untimely end. Most importantly of all, it establishes that Batwoman is over playing by the D.E.O.’s rules.

One of the things that I like about this series is the dialogue choices. I feel like so many writers out there feel the need to make all of their characters constantly witty and bantering, a la the entire cast of The Avengers (sorry, Joss, you know I love you!) but Batwoman’s cast has a strong, distinct voice that doesn’t sound like any other book out there. Each character sounds unique and I imagine that I could tell who was speaking if I were to close my eyes and have the comic read to me.

Well said, Kate. You sure know how to talk to the ladies.

But if my eyes were closed, I wouldn’t have been able to see just how gorgeous this issue is. As usual, I love the choices made in dividing up the panels. The borders are just as intense as the panels. The introduction of a Hawkfire theme into the borders was a super choice. And, and this isn’t something I normally comment on, Dave Stewart’s colors were incredible. I feel like I’m just glowing about Hawkfire tonight (and rightly so) but that insertion of orange into a predominantly dark and red palette was the most perfect addition that I could think of.

I only started reading Batwoman with the New 52, heck, any DC with the New 52, so I don’t have the background with many existing characters. As such, I only know Bette Kane, formerly Flamebird, from this series. Until this issue (and the last), I’d been reserved about her character. She was Batwoman’s sidekick, sort of, and then broke out on her own, got majorly injured, got Batwoman blackmailed by the D.E.O., was rehabilitated by Batwoman’s estranged father… it was all just a lot of background noise in the story that was Kate Kane.

But this issue! Whoa, baby! Her comeback is amazing! The way she set fire to her past insecurities in such a literal way was so empowering. She’s like the phoenix rising out of the ashes of her injuries, coming out a stronger, more powerful figure.

When life gives you lemons, set the lemons on fire.

Okay, now onto the real topic of this blog. That reveal. That proposal. I did not see that coming. I expected Batwoman to reveal herself as Kate Kane to Maggie eventually. Even soon. The fight the couple had right before Batwoman left to recruit Wonder Woman and Kate sharing the tragedy of her childhood loss earlier than that were all pointing in that direction. But a proposal? In front of the rescued children? I’m not sure that was the right move there.

Don’t get me wrong. I love it when ladies get engaged. Having been engaged to another lady for, like, a hundred years, it’s a blast. But it’s hard to tell what kind of time has passed in this story arc (partly due to that really weird stretch of time when the comic was written like Pulp Fiction) so it feels maybe sooner than it really is. I feel like only a few months have passed. But, hey, lesbians do move pretty fast.What’s really strange is that Kate proposes and kisses Maggie, in her Batwoman attire, in front of all those kids. Is she outing herself to the city of Gotham as Batwoman? Is that how she plans to get out of the D.E.O.’s blackmail?

It’s just a bit out of my comfort level to accept. But in an issue where every single page managed to amaze me on some level, I can let it marinate until we see the fallout from this turn of events next issue. Especially with the final reveal at the very end: the return of Kate’s “deceased” sister, Alice! I’m obsessed with this issue and now I’m even more excited to see what’s going to happen next!

The Invasion of the Bat-Ladies

No, I didn’t forget that last week Batwoman dropped in on Batgirl in the battle against Knightfall. I spent quite some time poring over Batgirl #12, really going over it with a fine-toothed comb. Considering it’s a comic written by one of my favorite writers in the comic book industry, Gail Simone, and co-starring perhaps my favorite character in comics ever, Batwoman, I went into it expecting to have my face rocked off like I was at a concert.

Is it wrong that I think this is hot?

Sadly, my response to this issue is tepid at best. And I don’t think that’s anyone’s fault but my own. I got myself SO excited and worked up for this issue that it wasn’t really capable of ever meeting the expectations I’d set for it. So I can’t blame the comic for my letdown. Everything about this issue was quite good.

Ardian Syaf’s art was superb. Every time Batwoman graced a page, the panels shifted to mirror the unique layouts that her own comic is known for and that was just damned impressive. That level of detail was just spectacular and made the comic worth it just for that. And while I don’t often comment on the colors of a comic, I have to say that Ulises Arreola managed to make Batwoman look gothic pale without making her look skeleton dead. That was a happy surprise to come out of her appearance in Batgirl.

The issue itself was pretty good. As much as I like Batwoman, I can’t help but feel that Batgirl didn’t really need her. The beginning fight was neat, I liked the idea of Batgirl sizing up Batwoman. One of my favorite things about Batgirl as a character (and the way Simone writes her) is that she has a running dialogue in her head at all times. We always know what she’s thinking so to hear her thoughts on Batwoman was pretty fun and her realization that the other hero is just a clever and calculating as she is was spot on, I think. At least in terms of being a bat-hero. I think if they were competing in an academic decathlon, Barbara Gordon might have an edge on Kate Kane.

For three years, she had a lot of time on her hands to study.

In any case, I did think that Batgirl and Detective Melody McKenna might have been able to do this without Batwoman. Of course, I won’t know for sure until the next issue (after issue #0 next month)  what my favorite hero brings to the table. After that initial fight, we don’t see Batwoman again until the last couple of pages, when she and McKenna bust in to back up Batgirl’s sneak attack. I do think it fits the “soldier” aspect of Batwoman’s background. That’s something I’ve felt is missing from Batwoman as a character, is the fact that she never set out originally to be a crime fighting vigilante. She had joined the military to be part of something bigger. And when she took the Batwoman mantle, I always thought it was so that she could work alongside the other Bats in an almost military fashion, being part of the larger group alongside characters like Lieutenants Batgirl and Nightwing and PFC Robin, operating under General Batman’s orders. I’d have loved for her to be a part of Batman Inc.

But now that she’s part of the DEO, following orders relayed by Cameron Chase, I have to settle for that as Batwoman’s way of still being part of some kind of pseudo-military. It’s good but it’s not quite what I like for the character.

In any case, I’ve done some reading from other fans and have heard the complaint that Batgirl was somehow diminished as a character because of the way Batwoman beat her up in the first couple of pages. I can see that argument. Batwoman really did throw her weight around in that skirmish but once the fight ended and they were chatting with McKenna, we got to see that Batgirl had a concussive trick up her sleeve. I think if the battle had gone on for the entire book, we would have seen Batgirl really hold her own. I couldn’t say who would have actually won a drawn-out slug fest between the pair of them. They’re both entirely different characters, but I think ultimately, as much as I love Batwoman, Batgirl might have have had the upper hand. She’s had more experience, more vigilante training, and more support from the big (Bat)man in charge to go down so easily. Batgirl’s got a lot of resources at her disposal and simply more time in the cowl, despite her absence while she was injured.

Is it wrong to think this is also hot? Yes, in this case, yes it is.

All in all, it was a good issue and I’m eager to see how this Knightfall plays out and what Batwoman’s place in it is. McKenna hints that the DEO is somehow involved in Knightfall, so what will that mean for Batwoman’s role in that organization? They’ve got her by the short hairs, really, so she can’t just up and leave them. I doubt that in the next issue of this story that Batwoman’s position in the DEO can change all the much, considering it’s not really Simone’s story to tell but it’s nice to see another writer approaching that dynamic. So far, it’s been an interesting path for Batwoman.

As far as the ongoing Batgirl story is concerned, I like that her brother, James Gordon, is becoming a more prominent villain. So far we’ve seen that he’s skirting the outside of Barbara’s life, getting to know her roommate, Aysia Yeoh, all while keeping his escape from Arkham Asylum a secret. Plus, he’s in league with Knightfall, having presumably befriended her while they were both locked up. As such, he’s gained some amnesty from her violent desire to erase Gotham’s criminal element. I can tell he’s going to be a much larger problem as the story continues and I have to wonder if it has anything to do with their mother’s return into Barbara’s life.

“I got you a kitten. It’s full of dynamite. I mean, love. It’s full of love.”

Oh God, I hope he doesn’t kill Barbara’s mother!!!

We’ll see what happens. My verdict on Batwoman’s part in this story is that, right now, she’s an unnecessary addition but that might change. I’d feel a little better about it if she gets a more prominent role in the defeat of Knightfall, to make it feel like she’s needed in order to do it.

Amy Reeder Off Batwoman

Well, damn. Amy Reeder is damned talented. She drew Batwoman #0 and Batwoman #6 (which I haven’t been able to put down since I picked it up last month) and while there were certain things that were near-misses for me, I think the most exceptional thing she did was make Maggie Sawyer attractive.

Some fantastic examples of Reeder's beautiful work.

Let me explain: Maggie Sawyer, I feel, is one of the only true butch women in comics. Mainstream comics, I should say. She has short hair, she wears men’s clothes, she excels in a primarily male field, and she’s tough as nails. But one of the things I’ve noticed in the comics that I’ve read and researched is that because she’s relatively butch is that artists tend to think that just because she errs on the side of being butch (in reality, I think she’s more soft butch than anything), that she has to be unattractive. It’s a pretty common misconception that butch women don’t care about their appearance and, as such, have pretty jacked up hairstyles, appalling taste in clothing, and just let themselves go.

This couldn’t be further from the truth. There are definitely exceptions, as there are in anything one might talk about, but just because a woman might exhibit more masculine attributes doesn’t mean that she can’t be attractive. Amy Reeder managed to change that in just one issue of Batwoman. Instead of portraying Detective Maggie Sawyer as an unkempt woman with short hair and poor taste in clothing (Oh God, that tux in Elegy was awful), she changed up Maggie’s style a little, getting her out of that trench coat that did nothing but hide any feminine shape underneath it, got rid of those awful curls that went every which way in a very bad haircut, and actually managed to accentuate the features of her face without resorting to makeup. The panel in issue #6 where she’s looking at a photograph (presumably of her daughter) after an angry mother has left her office was the first time I really, genuinely thought “Oh, there really is a woman in there!”

This made my heart ache for her.

Like I said, there were some misses. I thought Batwoman #0 was quite good and Reeder did a great job with Batwoman herself (she also managed to make Kate Kane not look like a heroin addicted goth weirdo, which was nice) but I wasn’t feeling her panels of Batwoman in #6. The scene where she jumps in front of Cameron Chase at the end of the book was weirdly proportioned and she tends not to draw feet (she does do it and well, when she does) very often, making her look  less talented than she is.

This isn't the scene I was thinking of (I can't find it anywhere!) but this is actually quite good.

I guess what’s disappointing, ultimately, is to see a female artist taken off of a female-led book. There could be a billion reasons why she was taken off. But it’s still sad. No word from DC as to why she’s off the book as of issue #9 (at least I get to enjoy her for a few more months) but according to her Facebook page: “It’s definitely regrettable…some real creative differences were going on, to the point that it became untenable.”

I have no idea what the means but it’s still sad.

Follow

Get every new post delivered to your Inbox.

Join 325 other followers

%d bloggers like this: