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Monthly Archives: March 2012

What-what, the Podcast

So, now that there are few episodes up, I want to plug the podcast my buddies, Bill and Andy, and I have started doing. “Live from the Cave Johnson Mancave” is available on iTunes and on Andy’s site. It’s a podcast this is actually somewhat similar to my blog here at Pop Culture Sushi, except instead of getting just one (hilarious) opinion, you get three geeky voices all talking about your favorite subject: epic geekery!

I'll claim that this is about the process, but it's all about the hit count.

This isn’t just a normal shameless self promotion, like I do with my webcomic (which you can see here). I want to actually talk a little bit about the process of making a podcast. Not a professional talk, mind you, but one that comes from a girl wide-eyed and amazed at what one can do with a little soundboard, three microphones, and three nerds.

First, the name. We recorded the first three sessions, all in one sitting, in Bill’s basement one day. Bill’s basement door has a talking picture of Cave Johnson from Portal 2 that actually talks as you walk by it. Brilliant! So when we were sitting around trying to come up with a name, we kept coming back to the fact that Bill’s man cave had Cave Johnson’s picture guarding it. And history was made.

After sitting down to record, I was a little nervous about recording. Fortunately, Bill had some Red Hook beers (that after about two, I kept calling Red Hood) which loosened up the nerves quite a bit. The reason for my nervousness was ultimately that we didn’t establish any kind of script beforehand. How were were going to keep going? What were we going to talk about? How was I going to sound?

That last is actually the worst part. I really hate the way I sound. In my head, I sound like Fran Drescher. You know. The Nanny. And despite being assured that I do not, I have to admit that I’ve only listened to about the first two or three minutes of each podcast before I turn it off, horrified.

I have this dress in mauve.

Anyway, back to the recording itself. We spent almost three hours just chatting into microphones, like it’s the most normal thing in the world. And we talked about all sorts of things! DC’s New 52, my tattoos, the PS Vita, Catwoman, superhero registration, and so much more. The highlight was recording while watching the Catwoman short from Batman: Year One.

Oh, Eliza Dushku. Call me. No, really. Call me.

After we finished recording, Andy did some… things. Cut the clips, edited, added some music, an intro. All that behind the scenes stuff that goes on to make the podcast more interesting. Turns out, he could make three whole episodes (plus a Catwoman viewing mini-sode) with footage from just one day! And then he put it up on the internet.

Turns out, we’re already attracting some listeners. You can check out the first two files and the Catwoman mini on the site or on iTunes right now, with the third to follow. The first file, according to iTunes, has filled up the popularity bar (that’s the one between the running time and the price) so I can’t imagine that’s a bad thing at all. We’re internet famous!

Once we all get through this very informative book, we can start taking over the world.

The whole process is a lot of fun. At some point, I may live-blog while recording the podcast and post that when the episode comes out. That may turn out to be complicated. Fortunately, my morbid fascination with Japanese tentacle cartoons has taught me the invaluable skill of multitasking so I’m sure it’ll be fine.

Check out the podcast and let me know what you think! Any topics you’d like the geeks to cover?

What Happened To “I Won’t Give Up”?

Sometimes I don’t talk about comics or TV. This is one of those times.

So, Jason Mraz is off again with his on again-off again lady friend, Tristan Prettyman. In an interview with Instinct magazine (which I’d never heard of until tonight while I was researching this annoying news), he discusses how much of an advocate for the gay community is and, as a result, it has put him at odds with Ms. Prettyman. This is not because she does not also believe in marriage equality but because he refuses to marry her until all the gays can have all the marriage.

…what?

I guess if you're going to wear your hair like Jesus, you have to remain single like Jesus.

He proposed to her. Like, picked out a ring (had it made, if Prettyman’s Tumblr is accurate) and gave it to her and asked “Will you marry me?” To me, that indicates that he wanted to marry her and not in a rhetorical way. He probably didn’t ask her “Hey, want to get married as soon as it’s equal for everyone, whenever that might be?” If so, then maybe Prettyman is being a little over-dramatic but somehow, I doubt it.

Happier times.

Look, don’t get me wrong. I appreciate the thought. You, Sarah Silverman, and Alyssa Milano should form a club. “Straights for Gays” or something. But, c’mon, what does refusing to get married actually do for the gay community. We want the right to share our love, to have a legal ceremony that says we are the same as everyone else on the planet and can have health care together and tax breaks and rings on our fingers that mean we’re off limits to people who suddenly find us more attractive because of said rings. But denying yourself a right you already have is just silly. We don’t want that. We want everyone to have marriage, not no one to have it.

You know what would be more helpful to the marriage equality fight? A big ol’ donation to the Human Rights Campaign. How about your attend some gay pride rallies, Mr. Mraz? How about you march on Washington when that comes around? Refusing to marry the woman you proposed to just proves that you don’t have a clue what marriage is all about. You don’t run away from the person you love. Period. Especially not claiming that it’s for us. The fight will go on with or without a ring on it, Mraz. It really will.

My heart hurts for Tristan Prettyman. When the man you love says “We eventually broke up and I think that was one of the factors. I am a stand for [marriage equality], as well as a number of causes, and I discovered that my partner wasn’t…” that’s pretty hurtful. It isn’t wrong for her to want all the things that marriage has to offer, especially when you offered it to her in the first place! It’s like dangling the carrot (heh, carat) over her head and then yanking it away after she’s already had the chance to nibble on it a while. It’s actually quite cruel. He could have shown his support for equality in other ways or, if he actually felt this strongly about it, he shouldn’t have proposed to her in the first place.

There are other fish in the sea, and Jason's famous enough to plow all the fish he wants, as long as he's single.

My suspicion? Cold feet and when you’re a celebrity, you can just pick up a cause to rally behind and hope that it hides the bad decisions you have to make. Jason Mraz isn’t a hero. He’s just a man who, while his intentions may sort of be in the right place, he’s choosing a very negative way to show it.

I love you, Tristan Prettyman. You made 23 years old the most wonderful year of my life. You deserve better and you will get it. But for the love of God, take down that Tumblr post, you’re going to regret it in the morning.

Controversy and Comics

The history of comics is littered with controversy. For some reason, maybe it’s the art, maybe it’s the genre, but comics still are often associated with children’s literature (and the inclusion of “literature” in that phrase is often debatable to folks who dislike comics). But in any case, from Batman & Robin’s alleged homosexual relationship (fake) to Kevin Keller’s marriage in Archie comics (real), people tend to rally against what they consider controversy in their comics. One Million Moms recently protested Toys R Us selling the marriage issue of Archie comics because”this is the last place a parent would expect to be confronted with questions from their children on topics that are too complicated for them to understand. Issues of this nature are being introduced too early and too soon, which is becoming extremely common and unnecessary.”

As cleverly stated by Ryan Sohmer's "Gutters".

Gay marriage is still pissing people off. And, as such, comics are going to keep talking about it. Because that’s what comics do. Comics talk about things. Just as frequently as comics have men get into tights leather jumpsuits to fight bad guys, comics are going to have people talk about things that are pissing people off. You expect this sort of thing in political cartoons, where it happens all the time, but once you start getting into comic books, comic strips, and cartoons, people start to get all offended and crazy.

What makes me talk about it today is the recent response/backlash to Garry Trudeau’s “Doonebury” comic strip, which has been in papers since the 60′s, discussing the recent Texas legislation allowing some pretty invasive involvement in abortions. Abortion, like gay marriage, really annoys the piss out of conservatives. And I won’t go too crazy about how I feel about it on this blog, because that’s definitely not the point, but Trudeau’s work has often sparked controversy in its long run and, as we all knew it would, his tackling of the Texas situation is making folks angry.

The decision to end a life is not funny. There is nothing comic about this tasteless interpretation of legislation we have passed in Texas to ensure that women have all the facts when making a life-ending decision. –Gov. Rick Perry spokeswoman Catherine Frazier

No, the decision to end a life isn’t funny. But Texas does this all the time in Texas, where the death penalty is a thing. The state can decide to end a person’s life if he’s committed a crime but a woman cannot go to an abortion clinic without the government getting all up in her business because she’s “ending a life.”

Garry Trudeau isn't the only person trying to say something.

But, again, my opinion on politics isn’t why you’re here. It’s not why I’m writing this blog. The reason I’m writing this is because some newspapers are not putting this comic in the paper or moving it out of the comics section and placing it elsewhere. WHAT. THE. WHAT.

When things are too controversial, we hide them? Or remove them entirely? The good that comics like “Doonesbury” far outweighs the discomfort of the few who can’t abide by anything that rocks their moral boats. Because, whatever side of the debate you’re on, the only thing a comic (or a book or a movie or any piece of art that also tries to say something) can do is promote discussion.

Because "you can't stop the signal."

And you know what? Trudeau has done exactly that. People are definitely talking about it. They might be talking about the comic but, in doing so, they are acknowledging the subject matter as being worth talking about.

Voices need to be heard.

Whether you’re for or against abortion, gay marriage, wearing fur, the color blue– I don’t care. It’s none of my business. But art is art. And, frankly, to ban or hide art because you’re afraid of it only gives it more power over you. Those of us who care will find it anyway. But when you acknowledge the strength of the message, regardless of the medium, all you do is show the world your own weakness.

Amy Reeder Off Batwoman

Well, damn. Amy Reeder is damned talented. She drew Batwoman #0 and Batwoman #6 (which I haven’t been able to put down since I picked it up last month) and while there were certain things that were near-misses for me, I think the most exceptional thing she did was make Maggie Sawyer attractive.

Some fantastic examples of Reeder's beautiful work.

Let me explain: Maggie Sawyer, I feel, is one of the only true butch women in comics. Mainstream comics, I should say. She has short hair, she wears men’s clothes, she excels in a primarily male field, and she’s tough as nails. But one of the things I’ve noticed in the comics that I’ve read and researched is that because she’s relatively butch is that artists tend to think that just because she errs on the side of being butch (in reality, I think she’s more soft butch than anything), that she has to be unattractive. It’s a pretty common misconception that butch women don’t care about their appearance and, as such, have pretty jacked up hairstyles, appalling taste in clothing, and just let themselves go.

This couldn’t be further from the truth. There are definitely exceptions, as there are in anything one might talk about, but just because a woman might exhibit more masculine attributes doesn’t mean that she can’t be attractive. Amy Reeder managed to change that in just one issue of Batwoman. Instead of portraying Detective Maggie Sawyer as an unkempt woman with short hair and poor taste in clothing (Oh God, that tux in Elegy was awful), she changed up Maggie’s style a little, getting her out of that trench coat that did nothing but hide any feminine shape underneath it, got rid of those awful curls that went every which way in a very bad haircut, and actually managed to accentuate the features of her face without resorting to makeup. The panel in issue #6 where she’s looking at a photograph (presumably of her daughter) after an angry mother has left her office was the first time I really, genuinely thought “Oh, there really is a woman in there!”

This made my heart ache for her.

Like I said, there were some misses. I thought Batwoman #0 was quite good and Reeder did a great job with Batwoman herself (she also managed to make Kate Kane not look like a heroin addicted goth weirdo, which was nice) but I wasn’t feeling her panels of Batwoman in #6. The scene where she jumps in front of Cameron Chase at the end of the book was weirdly proportioned and she tends not to draw feet (she does do it and well, when she does) very often, making her look  less talented than she is.

This isn't the scene I was thinking of (I can't find it anywhere!) but this is actually quite good.

I guess what’s disappointing, ultimately, is to see a female artist taken off of a female-led book. There could be a billion reasons why she was taken off. But it’s still sad. No word from DC as to why she’s off the book as of issue #9 (at least I get to enjoy her for a few more months) but according to her Facebook page: “It’s definitely regrettable…some real creative differences were going on, to the point that it became untenable.”

I have no idea what the means but it’s still sad.

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