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Monthly Archives: February 2012

Smash

I just finished watching the premiere of Smash. Since I gave up on Glee (eight weeks clean), I’ve been hankering for more musical magic. As annoying as the writing is on Glee, the music just made me happy. Fortunately, NBC has introduced a new show that promises to be as musical as it’s FOX counterpart.

So, here is a rundown of Smash: Debra Messing and her family is trying to adopt a baby. She promised she would stay out of the musical production business while they go through the process of the adoption. Of course, that all goes out the window when she and her musical partner (and his assistant) come up with the idea to do a Marylin Monroe musical. This is apparently a taboo subject in the theatre community because Marylin can be such a hard subject to approach.

Who's the star?

Meanwhile, back at the ranch, Katherine McPhee is a waitress struggling actor. She has a wonderfully supportive boyfriend who works at the mayor’s office and parents who are less supportive. When a fake Youtube video is leaked about the new Marylin musical, she becomes obsessed with it and auditions. She’s amazed that she gets a call back.

Debra Messing’s writing partner has a longtime hatred for a famous choreographer, who is, of course, the best in the business. And the project is too intriguing for said choreographer to stay away. That choreographer is also a lecherous man who likes to abuse his power, as is evidenced by his call to Katherine McPhee to spend some time on his casting couch.

Look at the flying lady!

One last element is Anjelica Huston, a woman who is a producer of musicals who is going through a nasty divorce. If she loses the divorce settlement, she’ll lose a lot of money and, as such, lose the opportunity to produce said musical.

And wackiness ensues.

As far as pilot’s are concerned, this one wasn’t terrible. It did have some elements that worried me. Namely, the fact that I guessed every major plot point of the episode before it happened. I knew the tape of the first song was going to be leaked, I knew the choreographer was going to try to sleep with Katherine McPhee, I knew that the social worker was going to turn out to be a fan of Debra Messing… If this show is going to capture me, it’s going to need to throw in some twists and turns. I can’t watch it if it’s going to be predictable.

The acting is decent and I like that it’s going to be a drama, rather than a dramedy like Glee. I think few shows can balance both and I’m glad that Smash isn’t trying to. And while the pilot wasn’t the most impressive I’ve ever seen, it certainly wasn’t the worst (I’m looking at you, 30 Rock). I’m looking forward to seeing what comes from it.

Don't forget, we're making a show!

Onto the music. Oh, the music. It opened with Katherine McPhee singing an absolutely beautiful rendition of “Somewhere Over The Rainbow.” That’s one of my favorite songs in the world. And McPhee nailed it. Additionally, the covers of “I Wanna Be Loved By You” and “Beautiful” were exceptionally well done. The original songs were clever and well-performed. It makes me excited about a Marylin Monroe musical. I’d gladly go see it.

All in all, it’s a good first effort and I’m on board. I’m willing to give it a few episodes. I won’t make the same mistake that I did with Glee, though. Keep it good, Smash, because I’m going to be a harsh critic.

Turtle Power

I mentioned in my last post about how much I love alternate histories. I guess that can be considered alternate timelines or alternate universes. I loved the Ultimate line of Marvel comics, particularly the X-Men, when they first started those. I liked the Days of Future Past. I loved the Age of Apocalypse. I think if I’d read more DC prior to the re-launch, I’d have liked their obsession with having as many different Earths as they did. I’m obsessed with the Fallout games. Heck, I almost watched last night’s episode of Grey’s Anatomy because it featured an alternate future for the characters.

I wish there was an episode where they have super powers. And not just Katherine Heigl's "I see dead people" routine.

What does this have to do with the Teenage Mutant Ninja Turtles, you may be asking. Or not, if you didn’t get where I was going with the title of this blog. But if you were, it has everything to do with our favorite, green-shelled ninjas. You see, IDW has recently done a relaunch of the Turtles, brought back by half the original creative team that started the franchise in the first place. Having Kevin Eastman (I don’t know what Peter Laird is up to these days) on board adds legitimacy to the story so whatever comes from this, we at least know that it’s with the blessing of one of the guys who came up with it. As opposed to some other guy who tends to be unimpressed when people try to re-imagine his work.

The Ninja Turtles are back and better than ever in IDW’s run. The story starts out with a mystery: who are these young turtles, why are they so big, and how come they’re freakin’ ninja? The first several issues recount Leonardo, Donatello, and Michelangelo’s search for their missing bother, Raphael, as they are constantly under attack by Hob, a cat who was accidentally mutated when the turtled and their rat bastard master Splinter escaped Stockgen’s labs. Baxter Stockman has been trying to create genetically enhanced soldiers for a mysterious General Krang but when a random group of ninja attack the lab, trying to get something from it, Splinter and the turtles are exposed to the chemical (and also Hob the cat) and then are free to settle in the sewers like normal mutants.

The classic tale of cat vs. turtle comes roaring to life.

What’s been the best part is the further origin of Splinter and the crew. This is where we get into alternate storytelling. It turns out, Splinter and the turtles are really the reincarnated souls of Hamato Yoshi and his sons who were murdered by Oruku Saki in feudal Japan! Wow! What does this mean for their most famous villain, Master Shredder? If he was the leader of the Foot Clan in feudal Japan, how is he going to terrorize them in this current series?

There are plenty of familiar faces in this new universe. April O’Neil is a lab assistant at Stockgen, working for Baxter Stockman. In issue #6, Stockman has just introduced one of the original Turtles’ earliest foes: the Mousers! Casey Jones is also in it, as a young ne’er-do-well hockey player who struggles in school and gets beat on by alcoholic father. Krang was the big bad in the 1987 animated series, an alien who wanted to take over the world (duh). What Krang’s status will be here has yet to be revealed, though I’m hoping against hope that it’s not as an alien invader.

April O'Neil's got hands like Lana Kane.

I’m really digging the series so far. The art is rough and edgy, harkening back to the gritty original. Each character has a distinct voice that is most inspired by the 1987 series but is not overdone in a way to make them appear cliché. Mikey is still a party dude, Donny’s still the super genius, Leo is still the serious leader, and Raph is still the hothead that gets himself into all manner of trouble. I like the close friendship established between Casey and Raphael and I liked that April hasn’t been forced into the Turtles’ new lives yet. It’ll get there, I’m sure, but it’s happening in a very organic way that I really appreciate.

IDW’s TMNT does not disappoint in these first six issues. The one-shots for each character, thus far focusing on Raphael and Michelangelo, have been great introductions to each Turtles as his own person, not just one part of a larger collective. You really get the sense that these brothers are individual and, as of right now, they really only consider themselves brothers because Splinter insists that they do, not because they truly feel any kind of fraternal bond just yet. It’s been a heck of a ride so far and I am very eager to see where it goes.

I can't wait for the Mousers!

Before (You Flame) Watchmen

You know what, guys? I’m not worried about a Watchmen prequel. I’m really not. Yes, we can all complain about Alan Moore not being involved in the project. Yes, we can complain that everything that needed to be said about superheroes had been said in the first series. Yes, we can just complain, because we’re the internet and all we really do is complain about things.

Oh no they didn't!

But it’s not that big a deal. Alan Moore created a fantastic world and why shouldn’t we get to see what else there is in there? DC owns the franchise, why shouldn’t they enlist other artists and writers to keep exploring the world. One of my favorite concepts in storytelling is alternate histories and the world of the Watchmen is one of the best examples of that. Additionally, as far as superheroes are concerned, government involvement in superheroic activities is another one of my favorite subjects. Watchmen has it all for me and I, personally, can’t wait to see other people interpreting Moore’s vision.

I think the fan community can be so rigid. That’s not exactly a criticism. There are few fan bases as loyal and vocal as those in the comic book community and there are even fewer fan bases that are as knowledgeable of their fandom. I love the comic book community. The problem is, when they get their panties in a twist about something, so much of the feedback is so negative and full of vitriol. There doesn’t seem to be much in the way of constructive criticism. So many people are so eager to talk about what’s wrong, why the artists are wrong, why they are a host of seriously badly-spelled mean words.

Just think about what it might be like to really flame something.

What I’d like to see is not for everyone to all just rally behind one project. That’s completely unrealistic. But what I wish the community at large would think about things before they just blindly post them. Simply flaming something someone else says or does isn’t going to inspire change. It just ruins whatever credibility they have. They might have, buried beneath the angry sentiments, good points, but how would we know?

By the way, if your primary argument is that Alan Moore doesn’t support more stories being told about the Watchmen, then that’s just silly. Moore wishes he lived in a vacuum, where his work will remain entirely pristine and free from further interpretation. He never likes anything. He barely likes it when people like his work. His response, while important because he’s the creator of whatever it is he’s angry about, shouldn’t reflect what the public at large feels about it.

By the way, Alan Moore totally approves* this blog.

Besides, you know you’re going to read it. You’re going to grumble, you’re going to complain, but you’re going to read it. And after you’ve read it, go ahead and have an opinion. But relax until you see it. Please. If you’re going to complain about it, why don’t you spell-check before hitting “send.”

I don't know. You're probably going to do what you want anyway.

 

*Alan Moore approves of nothing.

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